EXHIBITION
CREATIONS ENLIVENED: METAL 2021
Creations Enlivened: Metal, showcases the works by traditional craftsmen and contemporary artisans from Hong Kong and Japan, working across a myriad of metals, such as copper, brass, silver, tin and galvanized iron.
The exhibition reveals the rich history of metalwork, and contemporary adaptations of those traditional techniques responding to the demand of modern days, while contemporary artisans strive to convey our culture and traditions through the elegance, strength and durability of their metal creations.
THE WISHES OF THE RETURN
Liu Wing Sheung
This set of two cast copper plates was designed by Master Liu Wing Sheung in 1997. The spring ox pattern and the couplet expresses his “wishes” that the “return” will bring peace and prosperity in the future.
In traditional Chinese culture, the Spring Ox Illustration is a folklore pictorial guide for predicting rainfall and crop harvest. We can find it in Tung Shing, a Chinese divination guide and almanac.
THE GUARDIAN OF HOPE
Liu Wing Sheung, Fanson Lam
The door knockers made by Master Liu and Fanson Lam, are inspired by the dogs that became the spiritual companion of Master Liu over the years. Through the collaboration, the master and his apprentice incorporated their respective expertise in casting and sculpting —
Fanson sculpted the dog heads in wax model while Liu cast them into several bronze door knockers.
In traditional Chinese architecture, a pair of door knockers are installed onto each side of the doors. By pounding the metallic knob, the sound serves the same purpose as a doorbell.
HOPE
Liu Wing Sheung
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MIRROR
Fanson Lam
The copper mirror created by Fanson Lam explores the relationships between desires, death and identities through human sculpture.
As early as 3000 BCE, the use of bronze started to develop in China and bronze mirrors have played a significant role in reflecting, both literally and symbolically, the culture of the Chinese. They transcended their mere practical usage to become an important moral icon.
“With a mirror, one can see whether he is properly attired; with history as a mirror, one can understand the rise and fall of a nation; with men as a mirror, one can see whether he is right or wrong.” Emperor Tang Taizong of the Tang dynasty once said.
As a nature lover, the design of Master Liu’s copper mirror is inspired by tree trunks which can be seen everywhere when he wanders around the countryside, while the back of the mirror incorporates a paper folding design.
As early as 3000 BCE, the use of bronze started to develop in China and bronze mirrors have played a significant role in reflecting, both literally and symbolically, the culture of the Chinese. They transcended their mere practical usage to become an important moral icon.